One of the biggest events for the new year is the Chris Ofili exhibition at Tate Britain, but Blake is also present in the work of a number of other artists whose work has recently gone on display.
The Spanish conceptualist sculptor, Jaume Plensa, who in 1996 created Blake in Gateshead, a laser installation for the Baltic Centre of Contemporary Art, recently unveiled a new collection at the Nasher Sculpture Center. One piece, Twenty-nine Palms, is a curtain of stainless steel letters that spell out passages from some of Plensa’s favourite poets, including Blake as well as Charles Baudelaire and Emily Dickinson. The exhibition, Jaume Plensa: Genus and Species, runs until May 2.
At the Dulwich Picture Gallery, a retrospective of the work of Paul Nash shows how the landscapes created by the artist betweeen 1911 and 1946 were influenced by Blake as well as Samuel Palmer, Nash seeking to forge his own idiosyncratic symbolic language in the style of the Romantic artist. Paul Nash: The Elements is open between February 10 and May 9. It is also possible to see some of Blake’s own work at the Picture of Us? Identity in British Art exhibition that is currently on at the Graves Gallery in Sheffield.
Beyond the visual arts, Blake has had a role to play in a number of new musical releases. The country singer John Goodspeed’s new album, A. Enlightenment B. Endarkenment (Hint: There Is No C), compares Blake to Muddy Waters, while the third album by Midlake, The Courage of Others, cites Blake as a poetic influence. That influence is more than passing for the Danish group The William Blakes, who have released two albums and are becoming increasingly popular in Scandinavia where they are currently on tour.
One extremely significant event is Jez Butterworth’s new play, Jerusalem, currently showing at the Apollo Theatre, Shaftesbury Avenue, London after its transfer from the Royal Court. Jerusalem deals with often-neglected, alternative forms of Englishness, and stars Mark Rylance as a drug-addled gipsy, Rooster Byron. Throughout the play, Blake is an important lodestone for the forgotten aspects of this often cynical green and pleasant land, and runs until April 24.
Perhaps the strangest influence of all, however, is the appearance of some of Blake’s visual ideas in the new game from Electronic Arts, Dante’s Inferno. Aiming to take gamers to Dante’s view of hell, a book of the game indicates clearly that Blake, along with Auguste Rodin and Gustave Doré, was one of the inspirations for the game design.