Curated by Philippa Simpson, with items on loan from the National Portrait Gallery and drawing on the research of Sibylle Erle, Blake and Physiognomy explores the relationship between Blake and the fascination with aspects of physiognomy and phrenology that developed in the late eighteenth century.
Works on show in the display include some of Blake’s large colour prints, notably Nebuchadnezzar, as well as a selection of the illustrations to Dante’s Divine Comedy and other artists from the period such as William Hogarth and Sir David Wilkie who had an interest in physiognomy. The display also focuses on Blake’s interest in Johann Kaspar Lavater, the Swiss pastor and friend of Henry Fuseli whose essays on physiognomy sparked most sustained attention on the subject at the time.
Entrance to Blake and Physiognomy is free and the display is located in Room 2 at Tate Britain. It runs from 8 November 2010 to 11 May 2011.