One of the most impressive examples of Blakean inspiration to start off 2019 was his use by Refik Anadol, whose astonishing immersive installation, the Infinity Room, was showcased during the Winter Gallery Crawl in Pittsburgh. Created using a series of lasers, the room draws upon Blake’s quotation – later cited by Aldous Huxley – that “If the doors of perception were cleansed everything would appear to man as it is, infinite.” Born in Istanbul and currently living in Los Angeles, the small cube – each side 12 feet in length – contains mirrors on the floor and ceiling to support, according to an interview with TribLive, “the idea that there is no gravity”.
A significant new literary release at the end of 2018 and which began to receive reviews in January was the fourth novel by Mexican writer, Adriana Díaz Enciso. Entitled Ciudad Doliente de Dios (“The Doleful City of God”), it tells the story of Cristina, a girl abandoned in an orphanage by her parents, who has mystical visions that lead her to a knowledge beyond her years. With an image of Los englobing the fallen body of Urizen as a huge drop of blood for its cover, the book is framed in the cosmogony of William Blake, and a post giving an insight into her thoughts on the Romantic poet and artist can be found at Finding Blake.
Musical sightings and performances included a profile of Martha Redbone for Berkeleyside, whose 2012 album The Garden of Love: Songs of William Blake, remains one of the best Blakean compilations ever recorded; she also performed at the Weill Hall, Sonoma State University, on January 24th. Jim Jarmusch (whose 1995 film Dead Man cast Johnny Depp in the role of accountant in the wild west, William Blake) and Jozef Van Wissem, announced a new album – An Attempt to Draw Aside the Veil – which draws upon the ideas of Blake, Swedenborg and Helena Blavatsky and is to be released in early February. Another announcement was the new album Inside the Rose by These New Puritans: due out in March, some of its music including the titular track claim the inspiration of William Blake.
The month ended with a performance by Patti Smith at the Camden Roundhouse that attracted rave reviews. Appearing in London at the close of January, Smith’s set included a series of her own music, cover versions of artists such as U2 and Midnight Oil, and recitals of readings of her own work, Virginia Woolf, Robert Burns, and, of course, William Blake. Ellie Porter, writing for theartsdesk.com, remarked on her “ceaseless energy”, while Emily Finch at CamdenNewJournal described her as a “booming bright light”.