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	<title>Comments for Zoamorphosis | The Blake 2.0 Blog: the reception of William Blake in art, music, film, literature</title>
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		<title>Comment on Charles Dodgson (Lewis Carroll&#8230; by Alex</title>
		<link>http://zoamorphosis.com/2010/02/charles-dodgson-lewis-carroll/comment-page-1/#comment-9203</link>
		<dc:creator>Alex</dc:creator>
		<pubDate>Fri, 13 Jan 2012 01:55:12 +0000</pubDate>
		<guid isPermaLink="false">http://zoamorphosis.com/2010/02/charles-dodgson-lewis-carroll/#comment-9203</guid>
		<description>Can anyone please tell me the editions that Carroll supposedly owned of Blake&#039;s works please? Morton N. Cohen alludes heavily to Carroll&#039;s ownership of a large majority of Blake&#039;s works. I&#039;m particularly interested to find out whether he owned James Jon Garth Wilkinson&#039;s first letterpress edition of &#039;Songs of Innocence and of Experience&#039;. Given Carroll&#039;s friendship group he would have been operating in roughly the same social circles as JJGW at the time, or so i&#039;m led to believe. My thanks to anyone who can answer his question for me.</description>
		<content:encoded><![CDATA[<p>Can anyone please tell me the editions that Carroll supposedly owned of Blake&#8217;s works please? Morton N. Cohen alludes heavily to Carroll&#8217;s ownership of a large majority of Blake&#8217;s works. I&#8217;m particularly interested to find out whether he owned James Jon Garth Wilkinson&#8217;s first letterpress edition of &#8216;Songs of Innocence and of Experience&#8217;. Given Carroll&#8217;s friendship group he would have been operating in roughly the same social circles as JJGW at the time, or so i&#8217;m led to believe. My thanks to anyone who can answer his question for me.</p>
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		<title>Comment on Zoapod 8: Blake&#8217;s Poems &#8211; London by Loriana</title>
		<link>http://zoamorphosis.com/2010/03/zoapod-8-blakes-poems-london/comment-page-1/#comment-9055</link>
		<dc:creator>Loriana</dc:creator>
		<pubDate>Tue, 10 Jan 2012 21:50:03 +0000</pubDate>
		<guid isPermaLink="false">http://zoamorphosis.com/?p=782#comment-9055</guid>
		<description>The interpretation is full of historical insights that might be useful to understand the underlying concept of „London”. A vertical and horizontal movement is also visible in Blake’s poem. Charted street and charted Thames, both literally and metaphorically, suggest horizontal movement. Flowing of the river is simultaneous with wandering of the lyrical subject that moves (horizontally) along the river. Horizontal movement is  an imprisonment -  the tunneling of feelings, sounds, emotion in one direction and a metaphor for trying to gain control over the uncontrollable (like river – element of nature).  This ordered, horizontal movement is emphasized by the repetition of anaphors –“In every cry of…/In every Infants…/In every voice: in every ban…”. This unnatural order is imposed by the mind hence “the mind-forg’d manacles”. The wanderer must also perceive London from a different perspective since the phrase “I hear “ is often mentioned. The lyrical subject must be beyond the charted streets, must have transcended the horizontal dimension and thus has a different (complete?) vision over London. This itself offers an indirect consolation that it is possible to overcome the tormenting state presented in the poem and achieve a different state of consciousness.  I do not agree that there is no alternative, no innocence in “London”. Let’s take the figures on the plate. The man on the plate is stooped because of the overwhelming experience while the boy guiding him is erect. The boy embodies innocence that guides the experience to the light. The boy and the old man symbolize a circle in which innocence and experience form a state of completeness.</description>
		<content:encoded><![CDATA[<p>The interpretation is full of historical insights that might be useful to understand the underlying concept of „London”. A vertical and horizontal movement is also visible in Blake’s poem. Charted street and charted Thames, both literally and metaphorically, suggest horizontal movement. Flowing of the river is simultaneous with wandering of the lyrical subject that moves (horizontally) along the river. Horizontal movement is  an imprisonment &#8211;  the tunneling of feelings, sounds, emotion in one direction and a metaphor for trying to gain control over the uncontrollable (like river – element of nature).  This ordered, horizontal movement is emphasized by the repetition of anaphors –“In every cry of…/In every Infants…/In every voice: in every ban…”. This unnatural order is imposed by the mind hence “the mind-forg’d manacles”. The wanderer must also perceive London from a different perspective since the phrase “I hear “ is often mentioned. The lyrical subject must be beyond the charted streets, must have transcended the horizontal dimension and thus has a different (complete?) vision over London. This itself offers an indirect consolation that it is possible to overcome the tormenting state presented in the poem and achieve a different state of consciousness.  I do not agree that there is no alternative, no innocence in “London”. Let’s take the figures on the plate. The man on the plate is stooped because of the overwhelming experience while the boy guiding him is erect. The boy embodies innocence that guides the experience to the light. The boy and the old man symbolize a circle in which innocence and experience form a state of completeness.</p>
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		<title>Comment on Blake Jukebox &amp; Disco by Victor Vertunni</title>
		<link>http://zoamorphosis.com/blake-jukebox-and-disco/comment-page-1/#comment-6243</link>
		<dc:creator>Victor Vertunni</dc:creator>
		<pubDate>Sun, 13 Nov 2011 17:49:00 +0000</pubDate>
		<guid isPermaLink="false">http://zoamorphosis.com/?page_id=552#comment-6243</guid>
		<description>Hi Jason,I would like to draw your attention to a brand new CD of &quot;William Blake&#039;s Songs of Innocence and of Experience&quot;.
I am an Italian based, but English born singer/songwriter. 

The CD has a very strong Folk base but also draws from many different musical influences, including Jazz and Flamenco.  
Please take a moment to click on the link below which will take you to the official online press release. 
http://presentation.name/voiceofthedeep/index.html
Music downloads from: www.voiceofthedeep.com

Many thanks!</description>
		<content:encoded><![CDATA[<p>Hi Jason,I would like to draw your attention to a brand new CD of &#8220;William Blake&#8217;s Songs of Innocence and of Experience&#8221;.<br />
I am an Italian based, but English born singer/songwriter. </p>
<p>The CD has a very strong Folk base but also draws from many different musical influences, including Jazz and Flamenco.<br />
Please take a moment to click on the link below which will take you to the official online press release.<br />
<a href="http://presentation.name/voiceofthedeep/index.html" rel="nofollow">http://presentation.name/voiceofthedeep/index.html</a><br />
Music downloads from: <a href="http://www.voiceofthedeep.com" rel="nofollow">http://www.voiceofthedeep.com</a></p>
<p>Many thanks!</p>
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		<title>Comment on The Good Man Jesus and the Scoundrel Christ by Matthew (@thebibliofreak)</title>
		<link>http://zoamorphosis.com/2010/04/the-good-man-jesus-and-the-scoundrel-christ/comment-page-1/#comment-6156</link>
		<dc:creator>Matthew (@thebibliofreak)</dc:creator>
		<pubDate>Mon, 24 Oct 2011 13:40:03 +0000</pubDate>
		<guid isPermaLink="false">http://zoamorphosis.com/?p=1092#comment-6156</guid>
		<description>Thanks for a really full discussion of the book. I&#039;ve just finished reading and reviewing it (your insights would have been really helpful before writing the review!) and I found it an intriguing idea, even if the execution was a little lacking.</description>
		<content:encoded><![CDATA[<p>Thanks for a really full discussion of the book. I&#8217;ve just finished reading and reviewing it (your insights would have been really helpful before writing the review!) and I found it an intriguing idea, even if the execution was a little lacking.</p>
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		<title>Comment on The Rebirth of AEthelred Eldridge by Cathi</title>
		<link>http://zoamorphosis.com/2010/11/the-rebirth-of-aethelred-eldridge/comment-page-1/#comment-6042</link>
		<dc:creator>Cathi</dc:creator>
		<pubDate>Tue, 04 Oct 2011 20:45:21 +0000</pubDate>
		<guid isPermaLink="false">http://zoamorphosis.com/?p=2669#comment-6042</guid>
		<description>He is at Ohio University, it is a completely different school.</description>
		<content:encoded><![CDATA[<p>He is at Ohio University, it is a completely different school.</p>
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		<title>Comment on How Much Did Jim Morrison Know about William Blake? by mcfirefly</title>
		<link>http://zoamorphosis.com/2011/03/how-much-did-jim-morrison-know-about-william-blake/comment-page-1/#comment-5995</link>
		<dc:creator>mcfirefly</dc:creator>
		<pubDate>Fri, 23 Sep 2011 01:50:14 +0000</pubDate>
		<guid isPermaLink="false">http://zoamorphosis.com/?p=3212#comment-5995</guid>
		<description>I used to talk to Jim when I was a child. I don&#039;t know how much Jim knew about Blake, but he took Blake seriously. He used to talk about and quote Blake as a teenager, early out of high school, in spring and summer of 1961. Although I don&#039;t remember what he said, he must have been reading him quite a bit in school. Contrary to the occultic rock-god image of Jim (and quite a few of the &quot;facts&quot; repeated in books about him), he was a serious  young man, although with a wonderful sense of humor. I trusted Jim when I was in my teens that he was my kind of person, basically serious about God and about life and its possibilities, and that we agreed on what was not acceptable, with the exception that Jim was overthrowing faith in God and I was seeking to have it back. I believe he had too much faith in the world, but he was raised to believe the system worked for good, and in spite of the evidence knowing things about the system said otherwise, he wanted to believe in the world. I hope that in his later life in witness protection, which is where he is, he will reconsider and compare the lies of this world with the truth of God, who sent His Son to die for us.</description>
		<content:encoded><![CDATA[<p>I used to talk to Jim when I was a child. I don&#8217;t know how much Jim knew about Blake, but he took Blake seriously. He used to talk about and quote Blake as a teenager, early out of high school, in spring and summer of 1961. Although I don&#8217;t remember what he said, he must have been reading him quite a bit in school. Contrary to the occultic rock-god image of Jim (and quite a few of the &#8220;facts&#8221; repeated in books about him), he was a serious  young man, although with a wonderful sense of humor. I trusted Jim when I was in my teens that he was my kind of person, basically serious about God and about life and its possibilities, and that we agreed on what was not acceptable, with the exception that Jim was overthrowing faith in God and I was seeking to have it back. I believe he had too much faith in the world, but he was raised to believe the system worked for good, and in spite of the evidence knowing things about the system said otherwise, he wanted to believe in the world. I hope that in his later life in witness protection, which is where he is, he will reconsider and compare the lies of this world with the truth of God, who sent His Son to die for us.</p>
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		<title>Comment on ‘Can I see anothers woe,/ And not be in sorrow too’: Sentimentalism of Blake and Dickens by Kazuko Miyagawa</title>
		<link>http://zoamorphosis.com/2011/08/%e2%80%98can-i-see-anothers-woe-and-not-be-in-sorrow-too%e2%80%99-sentimentalism-of-blake-and-dickens/comment-page-1/#comment-5885</link>
		<dc:creator>Kazuko Miyagawa</dc:creator>
		<pubDate>Tue, 06 Sep 2011 01:52:49 +0000</pubDate>
		<guid isPermaLink="false">http://zoamorphosis.com/?p=3624#comment-5885</guid>
		<description>My dear Fatin!
Thank you for an inspiring comment which brought my attention to the relationship between literature and education.  I often feel these two have several things in common: dealing with words, facing human beings, studying human heart, in other words, teachers must make friends with &quot;chaos&quot; as Blake and Dickens did.  Kazuko</description>
		<content:encoded><![CDATA[<p>My dear Fatin!<br />
Thank you for an inspiring comment which brought my attention to the relationship between literature and education.  I often feel these two have several things in common: dealing with words, facing human beings, studying human heart, in other words, teachers must make friends with &#8220;chaos&#8221; as Blake and Dickens did.  Kazuko</p>
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		<title>Comment on ‘Can I see anothers woe,/ And not be in sorrow too’: Sentimentalism of Blake and Dickens by Fatin khwarizmi</title>
		<link>http://zoamorphosis.com/2011/08/%e2%80%98can-i-see-anothers-woe-and-not-be-in-sorrow-too%e2%80%99-sentimentalism-of-blake-and-dickens/comment-page-1/#comment-5878</link>
		<dc:creator>Fatin khwarizmi</dc:creator>
		<pubDate>Mon, 05 Sep 2011 13:02:24 +0000</pubDate>
		<guid isPermaLink="false">http://zoamorphosis.com/?p=3624#comment-5878</guid>
		<description>It is true that education can change the face of the word in my opinion, I am purely a scientific reader, unfortunately rarely  I am reading something literature, but I have a sentimental attraction to all what can be human sensations and and that deep felling  toward the valuable word we can read and share for spreading awareness, being a teacher is the most difficult mission we can accept, thousands of students means thousands of minds &amp; thousands ways of life, when we talk about Dickens and Blake I am sure that thousands of view points we are receiving ...!
Every other day I am learning something new in life and today because of a wonderful friend of me I start tasting the value of literature articles, this wonderful friend is Kasuko!
Love can be the greatest conductor to education, when we love &amp; respect the teacher we love what he/she teaching us....!
Thank you so much Kazuko!</description>
		<content:encoded><![CDATA[<p>It is true that education can change the face of the word in my opinion, I am purely a scientific reader, unfortunately rarely  I am reading something literature, but I have a sentimental attraction to all what can be human sensations and and that deep felling  toward the valuable word we can read and share for spreading awareness, being a teacher is the most difficult mission we can accept, thousands of students means thousands of minds &amp; thousands ways of life, when we talk about Dickens and Blake I am sure that thousands of view points we are receiving &#8230;!<br />
Every other day I am learning something new in life and today because of a wonderful friend of me I start tasting the value of literature articles, this wonderful friend is Kasuko!<br />
Love can be the greatest conductor to education, when we love &amp; respect the teacher we love what he/she teaching us&#8230;.!<br />
Thank you so much Kazuko!</p>
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		<title>Comment on ‘Can I see anothers woe,/ And not be in sorrow too’: Sentimentalism of Blake and Dickens by Kazuko Miyagawa</title>
		<link>http://zoamorphosis.com/2011/08/%e2%80%98can-i-see-anothers-woe-and-not-be-in-sorrow-too%e2%80%99-sentimentalism-of-blake-and-dickens/comment-page-1/#comment-5874</link>
		<dc:creator>Kazuko Miyagawa</dc:creator>
		<pubDate>Mon, 05 Sep 2011 02:25:47 +0000</pubDate>
		<guid isPermaLink="false">http://zoamorphosis.com/?p=3624#comment-5874</guid>
		<description>Dear Ahmed,  thanks for a comment.  As you say, this website is fun to read and one great advantage of it is that anybody who love literature can join and share ideas whether he/ she is a specialist or not.   Kazuko</description>
		<content:encoded><![CDATA[<p>Dear Ahmed,  thanks for a comment.  As you say, this website is fun to read and one great advantage of it is that anybody who love literature can join and share ideas whether he/ she is a specialist or not.   Kazuko</p>
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		<title>Comment on ‘Can I see anothers woe,/ And not be in sorrow too’: Sentimentalism of Blake and Dickens by AH &#124; Fahassani</title>
		<link>http://zoamorphosis.com/2011/08/%e2%80%98can-i-see-anothers-woe-and-not-be-in-sorrow-too%e2%80%99-sentimentalism-of-blake-and-dickens/comment-page-1/#comment-5873</link>
		<dc:creator>AH &#124; Fahassani</dc:creator>
		<pubDate>Mon, 05 Sep 2011 00:30:04 +0000</pubDate>
		<guid isPermaLink="false">http://zoamorphosis.com/?p=3624#comment-5873</guid>
		<description>Hi, just wanted to drop a nice little comment to say this website is fun to read... . 

Oh, and to mention Kazuko, that name hmm, oh yes!Kazuko-chan , old friend, know her in twitter for sometime now. There is somethings in her articles makes me to read on,... Just many to say. anyway

Thanks :)

 AH.</description>
		<content:encoded><![CDATA[<p>Hi, just wanted to drop a nice little comment to say this website is fun to read&#8230; . </p>
<p>Oh, and to mention Kazuko, that name hmm, oh yes!Kazuko-chan , old friend, know her in twitter for sometime now. There is somethings in her articles makes me to read on,&#8230; Just many to say. anyway</p>
<p>Thanks <img src='http://zoamorphosis.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
<p> AH.</p>
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