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Zoamorphosis

Global Blake: Round Table
An open discussion of William Blake's global reception led by the conference organisers and keynote speakers.
Global Blake: Adriano Ercolani
In this wide ranging talk, Adriano Ercolani shows us some of the ways that Blake has been captured in popular culture in recent years.
Global Blake: Suellen Cordovil da Silva
In this presentation Suellen Cordovil da Silva shows some of the ways that Alan Moore's From Hell draws upon Blake.
Global Blake: David Smith
David Smith explores some of the ways in which Blake's multimodal prophecies align twentieth-century Japanese manga.
Global Blake: Elizabeth Effinger
Elizabeth Effinger probes the fleshy folds that link the bodies of William Blake and contemporary American photographer, Joel-Peter Witkin.
Global Blake: Annalisa Volpone
Annalisa Volpone offers a wide-ranging exploration of some of the echoes and influences of Blake's poetry in the work of Sylvia Plath.
Global Blake: Jonathan Gross
Jonathan Gross explores Blake’s influence on the Mexican artist, Jose Clemente Orozco, and NYC graffiti.
Global Blake: Tom Nisse
Tom Nisse reads an extract from his William-Blake inspired poem, "Le film canoë – Dead man de Jim Jarmusch"
Global Blake: Franca Bellarsi
Franca Bellarsi explores the ways in which Blake and Buddhism inspired the work of Allen Ginsberg as well as others among the Beats.
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Spotlight

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Leslie Wilber presents an extraordinary visual response to Blake's mythology of the Four Zoas.
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Opposition,’ says William Blake, ‘is true friendship’. So opens the Foreword to Defence of the Devil by Eugene Halliday.
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For some commentators, it is this engagement with Blake which leads Maud into her deep obsession, but in truth Maud doesn't really understand Blake at all.