Zoamorphosis – Page 3 – The William Blake Blog

Global Blake

A network dealing with the reception of William Blake

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Divine Images

Jason Whittaker

A comprehensive guide to Blake's life and his written and artistic works

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VALA

The Journal of The Blake Society

A magazine with articles, poems, stories and new art inspired by Blake

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Zoavision

Blake Bites and more

A collection of videos about William Blake

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Blakespotting: New Blake Designs from Alexander McQueen

19 Feb, 22

Blake-inspired pieces by the British fashion house, Alexander McQueen, continue to be developed in 2022.

Global Blake: Round Table

8 Feb, 22

An open discussion of William Blake's global reception led by the conference organisers and keynote speakers.

Global Blake: Adriano Ercolani

8 Feb, 22

In this wide ranging talk, Adriano Ercolani shows us some of the ways that Blake has been captured in popular culture in recent years.

Global Blake: Suellen Cordovil da Silva

7 Feb, 22

In this presentation Suellen Cordovil da Silva shows some of the ways that Alan Moore's From Hell draws upon Blake.

Global Blake: David Smith

7 Feb, 22

David Smith explores some of the ways in which Blake's multimodal prophecies align twentieth-century Japanese manga.

Global Blake: Elizabeth Effinger

6 Feb, 22

Elizabeth Effinger probes the fleshy folds that link the bodies of William Blake and contemporary American photographer, Joel-Peter Witkin.

Global Blake: Annalisa Volpone

6 Feb, 22

Annalisa Volpone offers a wide-ranging exploration of some of the echoes and influences of Blake's poetry in the work of Sylvia Plath.

Global Blake: Jonathan Gross

6 Feb, 22

Jonathan Gross explores Blake’s influence on the Mexican artist, Jose Clemente Orozco, and NYC graffiti.

Global Blake: Tom Nisse

5 Feb, 22

Tom Nisse reads an extract from his William-Blake inspired poem, "Le film canoë – Dead man de Jim Jarmusch"

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Years

Articles

Reviews

Spotlight

Leslie Wilber presents an extraordinary visual response to Blake's mythology of the Four Zoas.

A Moving Illustration of William Blake’s Mythology

Opposition,’ says William Blake, ‘is true friendship’. So opens the Foreword to Defence of the Devil by Eugene Halliday.

- Hephzibah Yohannan explores the Blakean writings of Eugene Halliday

For some commentators, it is this engagement with Blake which leads Maud into her deep obsession, but in truth Maud doesn't really understand Blake at all.

- Jason Whittaker, Visions of Saint Maud