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Zoamorphosis

Global Blake: Tatiana Tiutvionova
In this presentation on the influence of Blake in Russia, Tatiana Tiutvionova focuses on how Blake has informed Russian painters and graphic artists.
Global Blake: Vera Serdechnaia
Blake's poetry has been of considerable interest in Russia. Vera Serdechnaia demonstrates that influence with a particular focus on music and poetry.
Global Blake: Alcinda Pinheiro de Sousa
Alcinda Pinheiro de Sousa explores how readings by Donald Ault of The Four Zoas can help us read Brazilian comic books.
Global Blake: Mark Lussier
In this paper, Mark Lussier considers Blake at the Event Horizon, how William Blake is used in chaos mathematics and visionary physics.
Global Blake: Camila Oliveira
Camila Oliveira pressents an overview of Blake’s influence on popular music in the twentieth and twenty-first centuries.
Global Blake: Christoph Reinfandt
Christoph Reinfandt explores various musical settings of Blake with a view to the implications of genre
Global Blake: Ines Tebourski
Ines Tebourski explores the ways in which Poetry, Image and Music function as multimodal inscriptions in William Blake's London
Global Blake: Zhongxing Zeng
Zhongxing Zeng presents an original song adaptation of “The Ecchoing Green”
Global Blake: Susanne Sklar
Susanne Sklar's presentation considers the ways in which the figure of Jerusalem serves to illustrate Blake's ideas of social and economic justice.
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Spotlight

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Leslie Wilber presents an extraordinary visual response to Blake's mythology of the Four Zoas.
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Opposition,’ says William Blake, ‘is true friendship’. So opens the Foreword to Defence of the Devil by Eugene Halliday.
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For some commentators, it is this engagement with Blake which leads Maud into her deep obsession, but in truth Maud doesn't really understand Blake at all.