Jez Butterworth's play, Jerusalem, has returned to London a decade after the original performance. This review explores how much the play owes to William Blake.
1795 was an incredible year of innovation for William Blake, not least for the series that has become known as the large colour prints. Joseph Viscomi traces the genesis of this remarkable series.
For some commentators, it is this engagement with Blake which leads Maud into her deep obsession, but in truth Maud doesn't really understand Blake at all.