Arts and Culture
Projects and Publications
VALA, The Journal of the Blake Society
January 11-13, 2022
An international conference on the reception of William Blake
Visit the site
A comprehensive guide to Blake's life and his written and artistic works
The Journal of The Blake Society
A magazine with articles, poems, stories and new art inspired by Blake
Blake Bites and more
A collection of videos about William Blake
Blake Bites: Why Does Newton Hold a Compass?
Newton is one of Blake's most iconic images. This video short explores why Newton is depicted so idiosyncratically.
Blake Bites: Who Made the Tyger?
William Blake's The Tyger is among the most popular of his poems and asks an important question: who made the tyger? God or the devil?
From the Collection: The Punisher – The Tyger
First of all, a quick confession. Frank Castle is probably
From the Collection: Spider-Man and Tigra
As I've been preparing for a talk in Manchester on
The nation’s favourite poem? Blake’s “The Tyger”
Yesterday (October 7) was the UK National Poetry Day. Among
Zoapod 12: Blake’s Poems – The Lamb and The Tyger
Zoapod 12: Blake's Poems - The Lamb and The Tyger
Blakespotting: “Tyger” Woods
In the first of what will be an irregular series,
Zoapod 4: Tiger Caged
Zoamorphosis Podcast 4: Tiger Caged John Cotton's poem, "Tiger Caged",
Zoapod 4: Tiger Caged (transcript)
Transcript of Zoamorphosis podcast. To listen to the full podcast
In interviews, Blake seems to come readily to Morrison's lips. He demonstrates a basic acquaintance with famous lines from
Songs of Innocence and of Experience
The Marriage of Heaven and Hell
- Tristanne Connolly: "How Much Did Jim Morrison Know About William Blake?"
Like Blake, I have lived in London all my life and therefore feel a deep affinity to some areas that are part of my own lived history.
- Louisa Albani interviewed by Caroline Anjali Ritchie
For some commentators, it is this engagement with Blake which leads Maud into her deep obsession, but in truth Maud doesn't really understand Blake at all.
- Jason Whittaker, Visions of Saint Maud